I started keeping a spreadsheet a month or so ago where I recorded my weekly average scores. I have most of the second half of the year done, so I went back today and started rereading the recap posts and adding them to the sheet. It was nice to refresh myself on some of the earlier readings, and to see how I reacted and how things changed. I saw my comments on the first Burns entry today (when I just thought of him as regular bad). I forgot that I didn't "officially" calibrate the scoring system until (I think) April. There's a lot of three and fours when I was just rating based on "overall" quality, vs specifically as "classics." I'll update this post tomorrow when I finish, but didn't want to break the streak. (I plan to go non-daily at some point, not quite yet.)
Final Average: 2.47
Worst Week: Week 33, 1.71
Best Weeks Week 3, 3.57
I want to start by saying that it took me a couple weeks to settle into an actual scoring system (I officially documented it the last week of February into March, but I think I'd mostly figured it out a week or two earlier). Looking back, I don't think I would've knocked Week 3 down very much. The Nightingale already only got a 1, Ben Franklin usually rated high, Poetic Principal might've even snuck up to a 4 depending on my mood. It could've dropped a point on each of the other entries (all of which were also strong, and probably wouldn't) and still kept it's 3+ average. A few of the earlier weeks would've definitely dropped a bit, but I stand by Week 3. Weeks 1 and 2 also scored at or above a 3, and were more likely to lose a point or two off their overall score. The only week to score a 3+ after the scoring guide was "officially" established was Week 22. I think this is getting carried by my Kit Marlowe fanboyishm, but it was nice to see one "later" week make the cut.
I also want to take a moment to restate the scoring system. (From here):
1/5: Should not have been included in T5FSOB in the first place. Poorly written, not particularly intellectually stimulating, historically unimportant.
2/5: Valid for inclusion in T5FSOB but not a good selection for the reading list. Might be a poorly chosen excerpt from a stronger piece, or an okay piece that has value but not in the top 20% or so that a piece (by napkin math) should be to get into the reading guide.
3/5: A passable choice for the reading guide. Well enough written, and at least somewhat historic or thought provoking. While not spectacular in and of itself, suitable as a starting point to discover other pieces or start thinking about a subject.
4/5: Actually good. A selection that works without needing other pieces to prop it up. Writing quality is decent, and it has some sort of critical/educational value.
5/5: The best of the best. Something that immediately prompts me to want to find more on the subject/author or otherwise changes my perspective on life.
I think I kind of undersold 4 here. "Actually good" starts around a 2 or 3 (a 2 could be a weak section from a strong piece, or a decent but not amazing piece on its own). Four is better than "good", but not a super-best-of-the-best-life-changer.
There were also a fair number of 0s (so bad it probably shouldn't have been written), mostly for Robert Burns. I hypothetically allowed 6s, but I don't think I featured any. I used it once or twice in Star Wars: Classics for something that hit the triple threat of being exceptional in all three categories of entertaining, thought provoking, and historic.
Working backwards, Week 33 narrowly edged out Week 32, and does a great job of highlighting the two things that can really drag a week down. They're only a point apart, so they could've easily flipped. The two most common things to drag a week down (especially later in the year as my patience waned) were:
1. Bad religious writings.
2. Bad (especially Burns) poetry.
I spent a lot of brain time waffling on how to account for "bad" religious writing in T5FSOB. Something Eliot highlights (and I appreciate) is that not everything in T5FSOB is supposed to just be "the best." It could be historically significant, even if completely wrong. And that means there is room for some amount of questionable Christian (or any other religion, but Christianity gets the lion's share) rambling. Christianity is still a major force in the West, especially the US, and still is today. I can disagree with a lot of Christian writers, but some of them are still well written or important for some reason. But the particular strain Eliot pulls from so heavily, "God is infinitely amazing, people are infinitely terrible, watch me pretzel logic to prove it!" was (as far as I can tell) never influential enough to deserve the amount of page space he devotes to it. How could it be? If you went to church every week and got called a peace of shit for an hour, and read stories about God torturing people for no reason, you wouldn't go back. At some point earlier in the year, I entertained the possibility that Eliot was doing some stealth anti-apologetics to try to make God/Christianity look as terrible as possible. While it appears he was more of a middle of the road (possibly even more Deistic) Christian, I don't think full on Atheism Commando is very likely. Besides, he does include a smattering of not complete garbage Christianity readings.
Poetry was much more straight forward. If your poem is about how beautiful nature is, or how you're "in love" (creepily obsessed) with someone, you have to write a really amazing poem to score well. About a million people do it well every year, and when you're in the same collection as Shakespeare, you're probably not going to measure up. Bonus point loss if you sacrifice readability to cram in a weird slant rhyme scheme or something. I don't hate all poetry (Keats scored the first 5!), but it's real easy to do a bad job, and I think meh-bad poetry is more unpleasant than meh-bad fiction.
Week 33 had examples of both, and was punished accordingly.
So, how does that average of 2.47 shake out? Most simply, it'd be a week with four 2s and three 3s. It means that the vast majority of the selections in 15MAD were at least good enough to be included in a collection of the best/most important writings of history up until 1910ish. It means (by a slim margin) the average selection wasn't good enough that I'd have selected it in a "Top 366" list for such a collection. I suspect the 2s do slightly outnumber the 3s, though the numbers could be skewed by the 0/1 and 4/5(/6?). I think there were more low outliers than high outliers, so I suspect the 3:2 ratio is a bit better than it looks. If I did a similar challenge (I am eyeing some Gateway to The Great Books sets, and I got another potential project from my parents yesterday) I'd like to do the data in a more granular and organized way. Overall, the ratings aren't the point, but just a tool to foster more thought. I'll continue with more reaction and reflections next week.